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Christian church history --- History of civilization --- History of the Netherlands --- History of Belgium and Luxembourg --- anno 1800-1899 --- C3 --- katholicisme --- Vlaamse beweging --- beeldvorming --- Nederland [land in werelddeel Europa] --- België [land - BE] --- KADOC - Documentatie- en Onderzoekscentrum voor Religie, Cultuur en Samenleving (1977-) --- Kunst en cultuur --- Theses

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The pious sex. Catholic constructions of masculinity and femininity in Belgium (c. 1800 - 1940) This study has a double goal. On the one hand it wants to improve the knowledge of Catholic constructions of masculinity and femininity in Belgium. On the other hand, by studying these gender constructions, it wants reconsider the feminisation thesis. This thesis has developed in historical research into a container term that covers various contents. It points not only at a numeric preponderance of women in the religious field, but also at content changes and at a quasi-identification of femininity and religiosity. The nineteenth-century feminisation of Christianity has been studied and documented in various European countries and denominations, but in the research on Belgian Catholicism it has not yet been a major theme. Still, Belgian society offers an interesting case as the Catholic realm covered a wide range of activities. As such, women and men could confirm their Catholic identity in both public and more private fields. This study therefore focuses on the Belgian case, and more specific on the way in which gender differentiation was created and expressed. Focus is put on the Catholic adult laity and his or her (ideal) image in the Sacred Heart devotion, Catholic Action and sermons. These perspectives offer the opportunity to point at the diversity and the flexibility of these gender constructions. The construction of the Catholic man in the discourse of the Apostolat de la Prière (a devotional movement dedicated to the Sacred Heart) for instance illustrates how masculinity and emotionality were not necessarily considered mutually exclusive. This nineteenth-century emotionally expressive masculinity therefore makes it hard to define the nineteenth-century Sacred Heart devotion as feminised on the ground of her emotionality and sentimentality, as has been suggested in other studies. Terms such as feminisation and the parallel masculinisation not only come close to an essentialist vision, they also seem to point at a kind of permanent construction of masculinity and femininity whereas in current gender research stress is put on the historical, social and geographical flexibility of gender constructions. Furthermore the stereotype of the pious sex appears to be older than the nineteenth century and it was not always used in a positive way in Catholic sources of the nineteenth- and twentieth century. The Catholic clergy noted the preponderance of women in religious practices also in the seventeenth century. The clergys observation of mens smaller interest in the religious field crystallised into a narrative of loss by the end of the nineteenth century; it incited men-oriented initiatives and (re)definitions of religion as masculine. Similar initiatives have been described in other research as masculinisation, but as indicated this term is confusing. In order to be able to grasp in historical research this special attention for mens involvement, this study suggests stepping away from the somewhat confining terms feminisation and masculinisation and put the emphasis on differentiation instead, the creation of the difference. This offers the opportunity to describe the increasing attention for gender difference as can be remarked in the evolution of the mixed Apostolat de la Prière movement into the gender-exclusive Leagues of the Sacred Heart. Moreover, men do not necessarily have to oppose women: Catholic men can be compared to other men, e.g. socialist men. By shifting the attention towards differentiation, other categories such as class can receive ample attention and e.g. the evolution of the originally workers-oriented L

Sociology of the family. Sociology of sexuality --- Christian moral theology --- Christian church history --- anno 1800-1999 --- Belgium --- Christian women --- Sex role --- Masculinity --- Chrétiennes --- Rôle selon le sexe --- Masculinité --- History --- Conduct of life --- Religious aspects --- Christianity --- Christianity. --- Histoire --- Morale pratique --- Aspect religieux --- Christianisme --- Belgique --- Church history --- Histoire religieuse --- gender --- katholieke organisaties --- Sex differences --- Catholic Church --- Église catholique --- Différences entre sexes --- Academic collection --- C1 --- katholicisme --- religieuzen --- Katholieke Actie --- mannen (x) --- vrouwen --- devotie --- KADOC - Documentatie- en Onderzoekscentrum voor Religie, Cultuur en Samenleving (1977-) --- 248 <493> --- 274.93 --- Kerken en religie --- Spiritualiteit. Ascese. Mystiek. Vroomheid--België --- Religion Christian Church history Europe Belgium --- Theses --- Chrétiennes --- Rôle selon le sexe --- Masculinité --- anno 1900-1999 --- anno 1800-1899 --- Sex --- 1800-1945 --- Gender identity --- Église catholique. --- Sex role - Religious aspects - Catholic Church --- Sex differences - Religious aspects - Catholic Church --- Gender --- Family --- Gender roles --- Men --- Organizations --- Religion --- Attitudes --- Images of women --- Féminité --- Book

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This illustrated book analyzes the artistic relationship of Maurice Denis (1870-1943), French painter and theoretician, with Belgium at the end of the nineteenth century and during the first decennia of the twentieth century. In Belgium Denis was able to harmonize the two central values of his art: a modern taste for formalism combined with Christian spirituality. In his works Denis illustrated the historical evolution of the Belgian Catholic Church and the way Catholicism embraced the modern artistic creation: first the Church was tempted to adopt modernism as a vehicle of a new Christian art, but then it started to doubt the modernist values and finally rejected all contemporary forms of expression.

Denis, Maurice --- Christianity and art --- Spirituality in art --- Symbolism (Art movement) --- Painters --- Illustrators --- Christianisme et art --- Spiritualité dans l'art --- Symbolisme (Mouvement artistique) --- Peintres --- Illustrateurs --- Catholic Church. --- Eglise catholique --- Denis, Maurice, --- Criticism and interpretation. --- schilderkunst --- katholicisme --- Crooÿ, Fernand --- Deman, Edmond --- Maeterlinck, Maurice --- Puvis de Chavannes, Pierre-Cécile --- Rodenbach, Georges Raymond Constantin --- Verlaine, Paul --- België --- avant-garde --- modernisme --- symbolisme --- religieuze kunst --- Durendal : Revue Catholique d'Art et de Littérature (1894-1913) --- Les Vingt --- La Libre Esthétique (Brussel) --- Rodenbach, Georges --- Belgique --- --1890-1939, --- Peinture --- --Histoire de l'art --- --Symbolisme --- --Christianity and art --- Spiritualite dans l'art --- KADOC - Documentatie- en Onderzoekscentrum voor Religie, Cultuur en Samenleving (1977-) --- C3 --- België [land - BE] --- Academic collection --- 75 DENIS, MAURICE --- 246 "19" --- #GBIB:SMM Montfort --- 840 <493> "18/19" --- 759.9493 --- 759.05 --- Kunst en cultuur --- Schilderkunst--DENIS, MAURICE --- Christelijke kunst en symbolisme--20e eeuw. Periode 1900-1999 --- Franse literatuur: België--Hedendaagse Tijd --- Arts Painting Belgium --- Arts Painting 1800 - 1900 --- 840 <493> "18/19" Franse literatuur: België--Hedendaagse Tijd --- Crooÿ, Fernand. --- Deman, Edmond. --- Denis, Maurice. --- Maeterlinck, Maurice, --- Puvis de Chavannes, Pierre-Cécile. --- Rodenbach, Georges Raymond Constantin, --- Verlaine, Paul, --- België. --- --Crooÿ, Fernand. --- Les Vingt (1883-1893) --- La Libre Esthétique (1894-1914) --- Spiritualité dans l'art --- Criticism and interpretation --- Deman, Edmond, --- Art and religion --- Art and religion. --- Belgium. --- --Art and religion --- --KADOC - Documentatie- en Onderzoekscentrum voor Religie, Cultuur en Samenleving (1977-) --- Histoire de l'art --- Symbolisme --- Denis, Maurice, 1870-1943 --- avant-garde. --- modernisme. --- symbolisme. --- religieuze kunst. --- Durendal : Revue Catholique d'Art et de Littérature (1894-1913). --- Les Vingt (1883-1893). --- La Libre Esthétique (1894-1914). --- Maeterlinck, Maurice. --- Rodenbach, Georges. --- Verlaine, Paul.